The elephant in the room is literally a thick-ish magazine called Elephant that’s been jammed amongst other publications in my apartment for the last three months. I’ve finally gotten around to reading/addressing this Elephant (Issue 5, Winter 2010/2011), and found two parts of the book seemingly at odds with one another; both attempting to answer… (read more)
Film is to artists, what books are to Paris Hilton: at one’s disposal, but hardly useful. Rarely is film a successful medium for artists, not because of film’s inherent limitations, but mostly from artists’ inability to produce a linear story in a time-based medium. Those that do attempt film or video demand that viewers leap… (read more)
When men imagine themselves driving cars; we usually picture ourselves in an environment that suits the particular model. A Bugatti Veyron on Germany’s Nurburgring with the landscape visibly blurred as we roar through the air. Inside a Mitsubishi Evo, we’re tearing up a dirt track off-road, sliding around sharp bends in the trails of Northern… (read more)
Eberhard Havekost; every heard of him? Me neither. Knowing who he is, at this point, is unimportant as he’s unlikely to be remembered by anyone in say 10-20 years. But Eberhard Havekost deserves a look, if only to be example-boy for What’s Wrong With Contemporary Art. Let’s get the process out of the way first…. (read more)