The first thing you think about when entering Robert Orchardson’s exhibition space at Birmingham’s Ikon Gallery is that someone’s left their geometry project out in the middle of the room. At first take, there’s nothing overwhelming or curious about any of the objects carefully positioned throughout the upper rooms at the Ikon Gallery, and in… (read more)
Len Lye is Science Guy for art of all kinds. “How to Enjoy Art Without Thinking” by Len Lye. It’s not the original name of Birmingham’s Ikon Gallery exhibit (The Body Electric) but it’s the first notion that comes to mind wandering through the roomful of audio-enhanced, kinetic sculpture from the New Zealand artist. In… (read more)
Lately, the over-busy mega-populated, push-to-shove city of London has been overloaded with single artist shows at the Tates; Arshile Gorky and Van Doesburg at the Big Smokestack, Henry Moore at Old Tate. After being blitzed through the eyeballs with a supermarket full of Pop artists a few months ago at Tate Modern, it’s a relief… (read more)
Surely, this means War! The Victoria and Albert Museum, the traditional bearer of arch conservatism in London, the safe-house for fine arts and antiques, has fired a Victorian cannonball at the young, art-drunk pirates across the river at Tate Modern. So, it is with pressed trousers and starched, button-down shirt, I managed a clean and… (read more)
Just how far would an artist go to alienate his followers, to the point of eliminating even the mildest of interest in the work? I can guess your first response. I’m discounting the witless wonders who produce harebrained art while claiming canonical importance, when nearly every left and right brain thinker (not including the sycophants… (read more)
“…It provides a means for understanding the contemporary world, and, potentially, for making it a better place.” You’d be mistaken if you thought this ambitious phrase was lifted from an exhibition programme at a contemporary art gallery, or an expensive brochure at a museum of modern art. It would be a good guess though. People… (read more)
“…the designer always has a recipient in mind, but an artist has a different, non-utilitarian agenda and it opens up enormous possibilities for new language.” (from Art World, April/May 2009)